Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Peter Jakob Horemans
Kuchenstillleben mit weiblicher Figur und Papagei

ID: 95490

Peter Jakob Horemans Kuchenstillleben mit weiblicher Figur und Papagei
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Peter Jakob Horemans Kuchenstillleben mit weiblicher Figur und Papagei


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Peter Jakob Horemans

painted Portrait of Clemens August as Falconer in 18th century   Related Paintings of Peter Jakob Horemans :. | View of the Dunes near Bl oemendaal with Bleaching Fields | Ponder | Italiensk Bjerglandskab. Parti fra omegnen af Subiaco | The Studio boat | The Virgin and Child (mk05) |
Related Artists:
Louis Gallait
(9 or 10 May 1810 - 20 November 1887) was a Belgian painter. His d his reputation especially with the large painting of Charles V's abdication. Gallait's works were considered as the basis for a desirable renewal of historical paintings because of the realism, costume faithfulness and colorful posture of his paintings. His last artwork was sent on tour in Germany and that led to new signals even among German historians. He was also a distinguished portrait painter. Gallait died in Brussels in 1887. There is a painting by Louis Gallait at the Norton Art Museum in West Palm Beach, Florida ("Art and Liberty").
George Gardner Symons
1861-1930
FALCONE, Aniello
Italian painter, Naples school (b. 1607, Napoli, d. 1656, Napoli). Italian painter and draughtsman. He trained briefly with Jusepe de Ribera, the Caravaggesque Spanish painter. He quickly won fame as a specialist in scenes of battle, and his contemporaries nicknamed him the 'oracle' of this genre. Falcone created the 'battle scene without a hero' (Saxl): he showed the battle as a brutal, confused struggle between anonymous troops, without heroes, without defeats and without particular historical incidents. The Battle between Turks and Christians (1621; Paris, Louvre; see fig.) is one of the earliest. The frieze-like composition is elaborately structured, yet the picture is rich in intensely naturalistic, vividly coloured details of armour and weapons and precisely observed expressions of anger and pain. The famous dealer and collector Gaspar Roomer and other Neapolitan collectors commissioned many battle pictures from him, and these were soon introduced throughout Europe. He was especially favoured by Ferrante Spinelli, Prince of Tarsia, who gave Falcone a residence in his palace after 1651.






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